Volume 8, Number 1
December 2022
From the Editors
Ten - A Note from the Editors
Jennifer Goff & Julia Moriarty
Essays
Revolutionary Homosexuality in Les Blancs
Arielle Raymos
The Phenomenology of Puppet Ontology in the Holocaust Performative
Ariel Roitman
Proof of Better Life: Performance of the Rich on Social Media Amid the Pandemic in Thailand
Rubkwan Thammaboosadee
Missing Pieces and Broken Patterns: A Dramaturgical Study of Thornton Wilder's The Emporium
Bonnie Georgette Hamlett
Notes from the Field
Opportunities: A Contemporary Play Reading Series and the Pandemic
Amanda Dawson and Michael Shipley
Zooming In: The Intimate Panopticon and Pandemic Performance
Amanda Rose Villarreal
Best Practices: Dance Making Democracy
Rebecca Fitton
Ten - A Note from the Editors
Jennifer Goff & Julia Moriarty
Essays
Revolutionary Homosexuality in Les Blancs
Arielle Raymos
The Phenomenology of Puppet Ontology in the Holocaust Performative
Ariel Roitman
Proof of Better Life: Performance of the Rich on Social Media Amid the Pandemic in Thailand
Rubkwan Thammaboosadee
Missing Pieces and Broken Patterns: A Dramaturgical Study of Thornton Wilder's The Emporium
Bonnie Georgette Hamlett
Notes from the Field
Opportunities: A Contemporary Play Reading Series and the Pandemic
Amanda Dawson and Michael Shipley
Zooming In: The Intimate Panopticon and Pandemic Performance
Amanda Rose Villarreal
Best Practices: Dance Making Democracy
Rebecca Fitton
Header Image from "Gravel Road" - Photo provided by Braxton Lee at Columbus State University.
